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piracy

Priceless in so many ways…

July 4, 2011 By Dan Thornton

I’m sure you might have already heard about the Wikileaks video.

If we can put aside the specifics of Wikileaks and Julian Assange for the moment, probably the most important thing to have come out of the events is that there’s an increased awareness, debate and discussion around whistleblowing, transparency and information sharing, and certainly Wikileaks has played a large part in that due to the media partnerships it made for leaked documents, and the media coverage of what has happened since. The combination of the importance of the leaked content, and the fact that it was disseminated with the maintstream media made for something which grew beyond most anonymous blog posts or forum messages, for example.

I was originally going to write that even if it had just made a handful of the governments and companies which engage in behaviour damaging society pause to reconsider, then it had done something valuable – at which point a paradox hit me.

When we talk about the efforts of big business against file-sharing and piracy, a large part of the argument is that you can’t stop people from sharing content when it keeps evolving to be quicker and easier. All that happens is that you drive the most hardcore further underground, nibbling at the very edges where those who can’t be bothered with the potential risks or the added hassles might be affected.

So flipping this around, the increase in document leaks could also simply hinder those who weren’t particularly evil or adept at hiding it, whilst those who are far more invested in their actions and determined will find better ways of hiding what they are doing – from whisteblowers, established aid charities and organisations, and any investigators from foreign governments etc.

Of course, then you can move into the actions of Anonymous and Lulzsec, and debate whether more direct attacks via hacking can be justified if they’re done with the intention of highlighting important issues.

Information to action:

The interesting thing for me is what comes after the information is released. Do we see it on the whisteblowing website, or reported in the media, and then get back to everyday tasks, or does it have some effect on the way we act. And if the effect is big enough, are we actually able to turn it into positive action?

It’s interesting that in comparing whistleblowing and piracy, there’s one key similarity. The power of both governments and big business are most definitely interested in curbing both actions by ‘private citizens’. Both can lead to economic or civil problems for both seats of power to have to deal with, and both are greatly enabled by the digital age.

The question isn’t how we can do these things, or even whether they, in themselves, are currently morally and legally acceptible, but really about how they can be used in the longer term to create change that actually enables a better way of life for the maximum amount of people, and what that might look like. And the key to that stage of social, legal and political evolution will be if the likes of Wikileaks leads us to more  routes for effective action, rather than focusing on the specifics of Julian Assange and the documents released so far…

Doctorow video on copyright and piracy – must watch

June 2, 2011 By Dan Thornton

Nice video of Cory Doctorow posted by the Guardian, and popping up in my RSS feeds thanks to The Pirates Dilemma.

https://www.theguardian.com/commentisfree/video/2011/may/30/internet-piracy-cory-doctorow

The timing is particularly nice considering part of the video covers Hollywood and Youtube – and the latter has announced Creative Commons licences will now be part of the service when you upload or want to find content to mashup. It’s brilliant news, and the only question I have is why it took so long to happen?

I probably haven’t spent enough time educating enough of my clients about the benefits of utilising Creative Commons – a good reminder to start doing that right now.

UK Govt – tackling piracy but in court on privacy!

October 31, 2009 By Dan Thornton

Quite funny seeing which stories followed each other on PaidContent this morning – one story is following the response from UK ISPs to Lord Mandelson’s proposal to disconnect illegal filesharers – but that immediately followed that the EC has set a two month deadline to overhaul UK rules on digital privacy.Or the UK Govt will end up in court.

Interestingly, it appears the EC are reacting fairly strongly to the UK passing of behavourial-targetting technology, e.g Phorm, but meanwhile France already has a law forcing ISPs to identify filesharers and using a three-strikes rule with disconnection as the eventual punishment, and the UK is looking likely to follow.

The conclusion is that my privacy matters when a private company wants to advertise to me, but doesn’t when private business industries influence a Lord to go against EU legislation which states access to the internet is a fundamental human right.

(For a nice, well-reasoned summary, read Hannah Nicklin’s open letter to Lord Mandelson – it includes plenty of useful links to relevant sources of information, including Ben Goldacre’s comprehensive dismantling of the claimed ‘seven million’ British people illegally downloading).

What’s happening to rock stars and Hollywood actors isn’t new…

December 18, 2008 By Dan Thornton

Something has struck me about one of the major challenges facing entertainment celebrities – along with the though that maybe many more ‘normal’ people have faced something very similar over the last century.

In the past, people with in skilled manual occupations spent years learning their trade and craft, served apprenticeships, and worked their way up to a point where they had experience that gave them security – until in many cases machines were able to offer lower cost solutions which put them under threat.

Now actors and musicians who have worked at their craft for years, and been fortunate enough to have built long enough careers to become established face technology which mean that the skills they’ve built up alongside their talent – finding management, working with record companies and film studios, etc, suddenly gets challenged by the fact anyone with talent can produce a song and distribute it digitally, or create a film for a relatively low cost and release it via the internet.

I’m just wondering if other people think that this is one reason why some celebrities are taking the hugely proactive step of writing a letter to The Times complaining about the fact that internet piracy is apparently threatening the fact that the creative sector, according to the letter ‘comprises 7 per cent of the total economy, and is growing faster than any other sector.’ A bit of a paradoxical argument if ever I heard one.

 

A good plan these days is hard to find…

November 12, 2008 By Dan Thornton

Apologies for the title, which references Feargal Sharkey’s 80’s pop hit – I couldn’t face linking to it, so I went with the most famous track from his days with The Undertones.

Much better than reading his thoughts on stopping music piracy reported by the BBC, where his thoughts as Chief Executive of umbrella organisation Music UK made me wonder if he’d had a Teenage Kick to the head at some point.

“Who would have ever predicted five years ago that there would have been such a thing as iTunes, which now has an 80% global share of all downloads,”

Well, since MP3s became widely available in the early-to-mid 1990s, I’d have said it was pretty obvious it would become a dominant force in changing music distribution. And having witnessed how record companies responded (e.g. Jammie Thomas), I’d have also put my life savings on a tech company becoming the dominant solution.

“The music industry is often having to wait and see what works,”

No it isn’t. The music industry is choosing to wait and see what works because it’s scared of innovating and changing in the face of losing the reason for existing – physical distribution. Radiohead weren’t waiting to see what works, and neither were Nine Inch Nails.

“At some point, our song writers and musicians have to be treated with enough respect that they can at least carry on with some basic quality of life that will allow them to carry on creating and performing year after year.”

I’d suggest reading Kevin Kelly’s excellent post on how artists can exist with financial success in The Long Tail – 1000 True Fans. I’d also ask when respect started directly relating to being paid a living wage? And why my respect for a musician should be risked by a record company getting my Internet Service Provider to cut me off from what I consider a basic living requirement in the modern age?

Just like a Good Heart is Hard to Find, so is respect, because it is something which is earned – not an entitlement by releasing a record. If an artist earns my respect for their talent, then I’m happy to pay money directly to them – by going to their gigs, buying their T-shirts, buying their cds and constantly mentioning them. Like this chap for example.

And for some further reading, here’s my previous posts on the music industry: Behind the Music, More fuel for the record company bonfire, and Record companies are really screwed.

If the record industry wants to survive in one form or another, there are plenty of people who could lead it forward. Lawrence Lessig, Chris Anderson, or even someone with some professional musical experience as well as the vision needed, Jonathan MacDonald. Christ, offer me enough money, unlimited downloads and some gig tickets and I’ll come and sort it out for you. It’s pretty simple.

  1. The current model will not be saved. Use the remaining profits to find the new model.
  2. The size and power of record companies will never be the same. You screwed up by waiting this long. Get over it. I lost sympathy for you as a child when I read about how Stax was bludgeoned out of existence in the 1970s. Record companies will be much smaller, with fewer employees, and they’ll need to work harder. Like everyone else.
  3. Innovate like crazy. Use the money you still have to throw 1000 quick and easy ideas out there. Give music away. Create better opportunities around live events and merchandise. Use ways to reach the truly passionate fans.
  4. Embrace people that are pirating and sharing your music. They’re doing the same job John Peel did when he played an E.P made by The Undertones just as they were about to split up, and made them famous. If I found someone who was sharing music from artists with 1000s of people worldwide, I’d make him Head of Distribution!
  5. Start hooking up with the people doing cool stuff without you – and hope you can bring something to the party to let you join. SliceThePie, Amie Street, Sellaband, Sonoma Wireworks, Blip FM, TheNextBigSound.

If I can find these sites as a music fan with a tenuous relationship to the music industry, what on earth are the people in your offices doing with their time?

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